Dr. Öğr. Üyesi CAHİT BAKIR

Makaleler 6

1. Exploring Theresa Hak Kyung Cha’s Dictee Through Trauma Theory And Postmemory

Bakir C., Aldemir N.

SÖYLEM , cilt.10, sa.1, ss.409-420, 2025 (Hakemli Dergi)

2. Parçalanmış Tarihler: Walter Abish’in “Ardor/Awe/Atrocity” Eserinde Tarihyazımsal Üstkurmaca

Bakir C., Aldemir N.

ÇANKAYA UNIVERSITY JOURNAL OF HUMANITIES AND SOCIAL SCIENCES (CUJHSS) , cilt.18, sa.2, ss.434-443, 2024 (Hakemli Dergi)

3. Biotext and Chinese/American Identity in Maxine Hong Kingston’s The Woman Warrior: Memoirs of a Girlhood among Ghosts

BAKIR C., Aldemir N.

NALANS: Journal of Narrative and Language Studies , cilt.12, sa.26, ss.274-283, 2024 (Scopus)

4. Loss, Language, and Latina Identity in Julia Alvarez's How The Garcia Girls Lost Their Accents

Bakır C.

JOURNAL OF NARRATIVE AND LANGUAGE STUDIES , cilt.11, sa.23, ss.311-322, 2023 (Scopus)

5. The Chicana Narrator as Healer: Reconciliation in Ana Castillo’s So Far From God

Bakır C.

IDEAS: Journal of English Literary Studies , cilt.3, sa.2, ss.79-88, 2023 (Hakemli Dergi)

6. Deconstructing the Tourist’s (Colonizer’s) Gaze in A Small Place

Bakır C.

JOURNAL OF NARRATIVE AND LANGUAGE STUDIES , cilt.5, sa.8, ss.38-45, 2017 (Scopus)

Hakemli Bilimsel Toplantılarda Yayımlanmış Bildiriler 8

1. John Freely’nin İstanbul Anlatılarında Gastronomi ve Kültürel Kimlik İlişkisi

BAKIR C.

III. ULUSLARARASI SOSYAL BİLİMLER VE TÜRK KÜLTÜRÜ SEMPOZYUMU: Beslenme Kültürü/Gastronomi, İstanbul, Türkiye, 22 - 24 Ekim 2025, ss.127-137, (Tam Metin Bildiri)

2. READING IN THE POSTPRINT AGE: DIGITAL NARRATOLOGY IN ALI SMITH’S HOW TO BE BOTH

BAKIR C.

THRACE UNIVERSITIES UNION IV. INTERNATIONAL CONGRESS ON ACADEMIC STUDIES IN PHILOLOGY DIGITALISATION IN HUMANITIES, Tekirdağ, Türkiye, 11 - 12 Aralık 2025, ss.3, (Özet Bildiri)

3. Bureaucracy as Absurdity: Postmodern Play and Ideological Critique in Joseph Heller’s Catch-22

Bakir C.

17th International IDEA Conference Studies in English, Elazığ, Türkiye, 7 - 09 Mayıs 2025, ss.47, (Özet Bildiri)

4. Preservation of Nature in Patricia Grace’s Fiction: The Māori’s Biocentric View of Nature in the Wake of Natural Disasters

Bakır C.

SOBİTÜRK, İstanbul, Türkiye, 23 - 25 Ekim 2024, ss.24, (Özet Bildiri)

5. The Technology of Time: Mark Leyner’s Dramatization of the Postmodern Subject’s Integration with the Clock in “The Making of ‘Tooth Imprints on a Corn Dog’”

Bakır C.

BAKEA, İstanbul, Türkiye, 1 - 03 Kasım 2023, ss.19-20, (Özet Bildiri)

Metrikler

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Yayın (Scopus)

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H-İndeks (Scholar)

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BM Sürdürülebilir Kalkınma Amaçları

Dr. Öğr. Üyesi CAHİT BAKIR

Yayınlar & Eserler

1. Exploring Theresa Hak Kyung Cha’s Dictee Through Trauma Theory And Postmemory

2. Parçalanmış Tarihler: Walter Abish’in “Ardor/Awe/Atrocity” Eserinde Tarihyazımsal Üstkurmaca

3. Biotext and Chinese/American Identity in Maxine Hong Kingston’s The Woman Warrior: Memoirs of a Girlhood among Ghosts

4. Loss, Language, and Latina Identity in Julia Alvarez's How The Garcia Girls Lost Their Accents

5. The Chicana Narrator as Healer: Reconciliation in Ana Castillo’s So Far From God

6. Deconstructing the Tourist’s (Colonizer’s) Gaze in A Small Place

1. John Freely’nin İstanbul Anlatılarında Gastronomi ve Kültürel Kimlik İlişkisi

2. READING IN THE POSTPRINT AGE: DIGITAL NARRATOLOGY IN ALI SMITH’S HOW TO BE BOTH

3. Bureaucracy as Absurdity: Postmodern Play and Ideological Critique in Joseph Heller’s Catch-22

4. Preservation of Nature in Patricia Grace’s Fiction: The Māori’s Biocentric View of Nature in the Wake of Natural Disasters

5. The Technology of Time: Mark Leyner’s Dramatization of the Postmodern Subject’s Integration with the Clock in “The Making of ‘Tooth Imprints on a Corn Dog’”

6. Storytelling as a Survival Strategy in Patricia Grace!s Potiki

7. Thanatos (The Death Drive) in Mehmet Ali Çelikel's "Where No One can Go" ("Kimsenin Gidemediği Yere")

8. The Magus: A New Identity through Art

Yayın

Yayın (Scopus)

Atıf (Scholar)

H-İndeks (Scholar)

Atıf (Diğer Toplam)