Abstract

As technological developments are in every field, the textile sector is experiencing its unforeseen influences on its own world in every passing day. Every issue that is difficult to imagine for yesterday is indispensable today and it becomes products that can take part in habits. 10 years ago, we were trying to imagine the innovations of a digital clock we tied to our wrist would bring. But today, these watches are a multifunctional instrument that can be described as a performance tracker, a music / radio / television / internet connection item, or even a medical assistant connected directly to our doctor. The evolution of a clock in such a short time has enabled the movement of every sector to which it may relate. As in any industry, the textile sector has not lost a legitimate share of this movement as much as a garment that can be associated with this watch and another that can be influenced by this watch.

Today, hybrid disciplines open new horizons. The access of science and knowledge to people through art also leads to a more effective and beautiful way through the unification of two disciplines. The scientist, who can constantly change the material with the magical instruments of technology and science, can also shape the image of the new thing he has achieved. The artistic direction can be combined with technical knowledge and skill and turn into other ergonomic and aesthetic forms. This requires two separate competencies.

Many artists used textile materials in the art of fiber and land art. The designers of the fashion world are aware that there will be no areas where textiles will not be used in the future. For this reason, most of the designers, design products containing aesthetic items using different materials and methods in every area from fiber to fabric, from yarn to finishing processes and present them to consumers in different concepts. The sculptural clothes of which Issey Miyake produced in terms of art and the wearable art works created Alexander MacQueen and Hüseyin Çağlayan can be seen as an example of concept. Through this work, the relationship between science and art has been exposed to the historical process, the pace of change and the dizzying fascination of science on the art of textiles. For this reason, the relationship between science and art has been exposed through the historical process, the pace of change and the dizzying frenzy of science on the textile arts. The work is expected to inspire the textile and design sectors.

Keywords: Technical Textiles, Art, Design, Wearable Art, Land Art, Innovation