Weaving, which is the product of a deep-rooted past, is a rich cul-tural element in handicrafts. As a matter of fact, Anatolian geography is witnessing important sources of thousands of years of history. It has been revealed by many archaeological excavations that the history of weaving in Anatolia is based on very ancient times. One of the traditional weaving types produced in many regions among Anatolian weavings is ‚Alaca‛ weavings. The fabric that has been woven since the Seljuk period was wo-ven in the Ottoman period and in many cities of Anatolia. It has been seen that the province of Tokat, which was chosen as a field research, has a cul-tural mosaic in which many civilizations have developed. In particular, the Alaca weavings woven in the region come to the fore. When the word ‚pied‛ is researched, it means multi-colored, which is a mixture of several colors. It is generally defined as "Flake fabric" in fabrics that are woven by using many colored yarns together. There are striped (barred, tracked), checkered and plaid structures. Alaca weavings are diversified according to the place of use, the material or the region used. The art of weaving, which is the carrier of cultural heritage among traditional arts, has been shaped in different geographical environments. He created a rich spectrum in which he conveyed the feelings and thoughts of the people of the region he was in. The tradition, which continues from generation to generation, has succumbed to technology over time. While weaving studies were car-ried out in many regions of Tokat in the past, today, only a few masters of weaving art who came to the center of Tokat from the Dive region as mas-ter trainers and other master teachers who have received weaving training, are trying to maintain and keep the art of weaving alive within the body of Tokat Maturation Institute. In this study, it is aimed to examine the varie-ties and characteristics of the Alaca weavings belonging to the Dive weav-ings of Tokat province. In this context, besides the literature review, origi-nal examples were researched by meeting with the resource people in the field. The aim is to introduce the technical analyzes of weavings, their artis-tic features such as color, pattern, material and composition, and their vari-eties used in the region, and bring them to the literature. In this context, traditional and technical features have been tried to be presented in order to protect the values of cultural heritage and to create a resource for future generations. 

Keywords: Folklore, Dive, traditional weaving, alaca, handicraft, fabric analysis.