İstanbul’s renowned historical Grand Bazaar, which served as a hub for numerous crafts in the Ottoman Empire, continues to attract significant scholarly interest due to its richly historical architecture. This historic complex, home to hundreds of professions, prominently featured jewelry making and bookbinding as principal arts that exemplified the cultural and artistic richness of the empire. These art forms are significant for understanding Ottoman artistic aesthetics and providing insights into the social structure of the period. They played a central role in the social and cultural life of the palace, producing works that reflected the empire’s aesthetic sensibilities and artistic richness. Palace jewelers crafted jewelry, adornments, and aigrettes specifically designed for sultans and high-ranking officials, with the materials used (gold, silver, precious stones) and the craftsmanship showcasing the finesse and aesthetic sensibilities of Ottoman artisanship. In the Ottoman Palace, the art of bookbinding was used not only for the transmission of knowledge and culture but also as an aesthetic display Among the works that have survived from the Ottoman Sultan’s treasures are book covers adorned with precious stones. With few exceptions, these bindings, mostly consisting of Qur’ans, are among the exquisite examples of the period’s jewelry and bookbinding arts. Produced through the collaboration of the zergerân and mücellidân guilds, each functioning within the Ehl-i Hiref-i Hâssa, these works occupy an important place in the treasury section. The majority of the jeweled bookbinding examples present in the treasury, showcasing the finesse of Ottoman craftsmanship, date back to the 16th century, when the Ottoman state was at its zenith socially, politically, and economically. This study aims to academically evaluate the artworks produced by examining the role and impact of palace jewelry and bookbinding arts within Ottoman culture.