Plasticity, Trans-Subjectivation and Trauma: The Mutability of the Subject's Identity in Jeantte Winterson's Selected Novels


Öğr. Gör. Dr. HODA NIKNEZHADFERDOS

Tez Türü: Bütünleşik Doktora

Tezin Yürütüldüğü Kurum: Islamic Azad University, Faculty of Foreign Languages, Department of English Language and Literature, İran

Tez Danışmanı: Dr. Bakhtiar Sadjadi

Tezin Onay Tarihi: 2020

Tezin Dili: İngilizce

Özet:

The present study seeks to meticulously analyze Jeanette Winterson’s Written on the Body, The Passion, Sexing the Cherry, Art and Lies, Oranges Are Not the Only Fruit, and Gut Symmetries through Catherine Malabou’s notions of plasticity, destructive plasticity, trans-subjectivation, and alterity without transcendence. In this respect, the dominance and presence of Malabouean notions would be spotted in the selected novels. The emancipatory role of plasticity would be investigated in the novels and in each one a new-fangled facade of plasticity would be lime lighted. In this regard, the main division of the present research was allocated to investigating the way the text or the characters endure a transition to attain a mutable self-realization. The characters’ endeavor to transform their destructive plasticity or trauma into liberating state of being would be emphasized and the other or alterity without transcendence as the ever-present item in plasticity could be highlighted. Subjectivity and the process of subjectivation as an ever-malleable procedure would be demonstrated in the selected novels and trans-subjectivation as the ultimate realization of being would be spotlighted in the characters of the novels. Moreover, the cathartic role of plasticity in texts, narratives, and subjectivation and the manifestation of the other as other of the self in the self would be illuminated. Additionally, flexibility as counter-plasticity would be illumined to elaborate the way plasticity could result in alter-globalism while flexibility could be measured as submission to the society. Body as the bedrock of identity formation would be explicated as svelte and femininity, or the feminine body, would be expounded as the mere manifestation of plasticity of being. The plasticity of temporality, being, identity, femininity, love, and gender would be elucidated in the selected novels and characters.

Key Words: Alterity without Transcendence, Destructive Plasticity (Trauma), Identity, Plasticity, Temporality, Trans-Subjectivation.